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Showing posts with label Nate. Show all posts
Showing posts with label Nate. Show all posts

Tuesday, April 14, 2020

"Talking the Tawk"

In the midst of doing some Google searches, I came across an interesting article by The New Yorker that talks of William Labov and his explanations of Brooklynese.  I found it quite interesting, and I thought I would share some of the most interesting facts from the article.  (I also think that bullet points are more logical for this type of thing, so I will do that instead of paragraphs.)

1.) The dropping of the "r" lost its imperial status after WW2.  "'Before the war,' Labov said, 'the judges in the gangster pictures dropped their ‘r’s, but after the war only the hoodlums did it.'"
2.) Apart from the adenoidal "oi" (like saying "boid" instead of "bird"), Brooklynese has remained unchanged for the past fifty years.
3.) You can hear it in parts of New Orleans and Cincinnati because of the "bankers who moved to those cities in the nineteenth century to finance the cotton trade."
4.) "'Brooklynese is exactly the same whether it’s spoken in the Bronx, Queens, and Staten Island or in Brooklyn. Or the Lower East Side.' The city’s dialect, [Labov] said, 'is much more indicative of one’s social status than of one’s neighborhood.  Although no one wants to admit this,' he added, 'because we’re supposed to live in a classless society.'”
5.) "What causes dialects to change? Not television, Labov said. The people he calls 'extreme speakers'—those who have the greatest linguistic influence on others—tend to be visible local people: 'politicians, Realtors, bank clerks.'”

So I have to ask--what fact/opinion did you find most interesting?  I thought it was insane how the dialect hasn't really changed in 50 years.  It is hard to imagine, but fascinating nonetheless.


Sunday, March 22, 2020

Good Will Shakespeare

Whenever one mentions the name “William Shakespeare,” many different thoughts flood throughout many different minds. Some roll their eyes; some openly praise him; some utter the word “overrated”; some do not care. No matter who you are, though, or what you think about his work, one cannot deny his brilliance. It is obvious that Shakespeare changed the game for literature, theatre, and writing, but what most people do not realize is how much his work impacted the English language as a whole. True, there are people who read Romeo and Juliet and/or Julius Caesar in high school that do not care about his achievements, and might even find them overvalued; however, no one can escape his contributions. Why is this?

Well, Shakespeare had knowledge of seven different languages, and had an estimated vocabulary of about 24,000 words; a truly staggering amount. This background allowed for him to invent new words for the English language-- over 1,700 to be exact-- and also to flesh out our language in more ways than one. In many ways, these words are his most underrated works. Below are some of the most popular (I copied and pasted the word list from William Shakespeare: His Influence in the English Language):
Eyeball, moonbeam (A Midsummer Night’s Dream)
Puking (As You Like It)
Obscene, new-fangled (Love’s Labour’s Lost)
Cold-blooded, savagery (King John)
Hot blooded, epileptic (King Lear)
Addiction (Othello)
Arch-villain (Timon of Athens)
Assassination, unreal (Macbeth)
Bedazzled, pedant (The Taming of the Shrew)
Belongings (Measure for Measure)
Dishearten, swagger, dawn (Henry V)
Eventful, marketable (As You Like It)
Fashionable (Troilus and Cressida)
Inaudible (All’s Well That Ends Well)
Ladybird, uncomfortable (Romeo and Juliet)
Manager, mimic (A Midsummer Night’s Dream)
Pageantry (Pericles)
Scuffle (Antony and Cleopatra)
Bloodstained (Titus Andronicus)
Negotiate (Much Ado About Nothing)
Outbreak (Hamlet)
Jaded, torture (King Henry VI)
Grovel (Henry IV)
Gnarled (Measure for Measure)
Which are your favorites?